How to Submit Your Picture Book Professionally!
Part 1 - Don't languish on the Slushpile . . .
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| Don't languish on the Slushpile .... |
So you’ve chosen your topic, you’ve
written your text, now how do you get it noticed?
Don’t just submit to everyone from A-Z
in The Children’s Writers’ and
Illustrators’ Yearbook! Show that you are professional and do your research
so you can personalize your submission. How?
But
beware, if your book doesn’t seem to fit anywhere, there may well be a
good reason why! Go back and re-think your audience and the market (See
previous blogs on picture book topics and craft).
Keep current with what is being published through magazines such as Books for Keeps, Carousel and seasonal book supplements in Review sections of National Newspapers. Read blog posts and Words and Pictures.
Keep current with what is being published through magazines such as Books for Keeps, Carousel and seasonal book supplements in Review sections of National Newspapers. Read blog posts and Words and Pictures.
Agents and publishers have different
submission policies for different materials so it’s important that you do your
research and submit accordingly. Sometimes, publishers and agents will have a
‘window’ of open-submissions during certain months of the year.
Also, if you have met an agent or editor
or designer at an event, you may request to submit to them personally.
So, how do you get to meet that agent or designer or editor personally?!
Network at events, masterclasses,
conferences run by organizations such as SCBWI, FCBG, CBC and AOI to meet
editors and make personal connections. Look at industry news on Words & Pictures and in publications
such as The Bookseller for
opportunities where publishers are looking to build their lists.
Show editors and designers that you
know what books they are publishing. If you have a favourite new picture book,
enquire with the publicity department who the editor or designer is.
Remember, editors, agents and designers
are people too, with personal tastes, preferences and lists. Also, be aware
that publishing is a business. So, they are looking for commercial projects and
authors/illustrators who are professional, have done their homework and who are
fun to work with!
Not all agents offer similar services,
so it’s important to consider what you are looking for and how you would like
to work. This is a two-way relationship so it is important that you are on the
same page about your expectations and that you get along on a personal and professional level.
What
can an agent offer me?
Agents are in touch daily with editors
and designers to find out what they are looking for. They keep up with trends,
attend bookfairs and have an extensive knowledge of the industry. Agents can
help you to place your manuscript or artwork more quickly as editors and
designers will prioritize their submissions. Agents also deal with the business
side of working with publishers, negotiating the terms of your book deal,
contracts and rights sales. Some agents also offer editorial support and can be
the person on the end of the phone when things go wrong for you personally or
with your publishers. Literary agents will charge you a commission of approximately
10%, and artists’ agents may charge 15-20% commission.
Do
I need an agent?
When submitting picture books, agents
often ask authors to have a body of work to make it financially viable for them
to take them on. Publishers are also looking to build new voices and will be
more interested in you if you have more to offer than just one book. Illustrators
will need a polished portfolio and, if they write and illustrate, picture book
dummies, characters sketches and story ideas.
Finding an agent can be challenging, though,
and so if you have made connections with editors or designers, it is fine to
submit to them directly. But be prepared to wait between 3-6 months for your
submission to be considered.
Should I multiple-submit my
manuscript and if so, how do I do it professionally?
Different
publishers and agents have different views on this, so do try to do your research.
Because of long waiting times, it can be acceptable to multiple-submit a
picture book manuscript or dummy, provided you let the editor know you are doing so and
you contact them immediately if you get someone who is interested in your work
to withdraw your submission or offer them the opportunity to review it.
Can I chase
up editors/designers?
Yes,
you absolutely can chase editors and designers, but out of experience,
keep
chasing emails to a monthly minimal or the occasional professional phone
call.
Reading submissions and giving feedback is one of the nicest parts of
the job,
but ultimately, working on books that are getting published has to take
priority so getting back to people quickly doesn’t often happen as
speedily as publishers would wish. Bear with editors and designers and
chase them kindly! The biggest way to ensure a (relatively!)
quick response is to get your work in as tip-top condition as possible so it’s
going to tick as many boxes as possible for editors when they read it.
We will cover some
examples of the do’s and don’t’s of cover
letters and what to submit if you’re
an illustrator.
Natascha Biebow is editor, mentor and coach at www.blueelephantstoryshaping.com
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